and talking about the energy. there's a beautiful energy. there's the light. the humor. the lighting is not perfect, but the woman in the red, but with the way flowers is turned to her left in the look of what can only be described as gleeful amusement. obviously something very funny headset in this photo was snapped in this group of women. delay, humor, playfulness and the interactions of the screw. this is unusual. but we are accustomed to seeing his images in dreariness, bleakness, depictions that on the surface communicate injustice. if you are familiar, toyota to miyake's photograph of three boys advance in our stand to end looking wistfully across a barbed wire fence come a black-and-white image. that's the classic image of japanese-american incarceration. this is something quite different. notice the contrast between the beauty of the subject in the bleakness of the backdrop. the dry, parched ground they stand on. tarpaper barracks they lived in. the chimney of the communal masala. it is again something i suggested in the early photograph the openness of japanese